Editing Valentina
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===Personality=== | ===Personality=== | ||
Valentina is shown to be an extremely bossy and domineering person who seems to treat her henchmen and just about everyone else around her with as little respect as possible. Despite the blatant disrespect she shows toward her underlings (especially towards Dodo), as well as the apparent hatred they have toward her (as shown in [[Birdy]]'s [[Thought Peek|thought]]), they remain loyal to her regardless. Valentina is also vain and cruel. The former is shown when she thinks highly of herself, believing herself to be beautiful beyond compare, as well as a refined "art buff", while the latter is illustrated by her harsh treatment of her subordinates, who consequently regard her with contempt. In the Nintendo Switch remake, Valentina's abusiveness is most prominently illustrated in Dodo's [[ | Valentina is shown to be an extremely bossy and domineering person who seems to treat her henchmen and just about everyone else around her with as little respect as possible. Despite the blatant disrespect she shows toward her underlings (especially towards Dodo), as well as the apparent hatred they have toward her (as shown in [[Birdy]]'s [[Thought Peek|thought]]), they remain loyal to her regardless. Valentina is also vain and cruel. The former is shown when she thinks highly of herself, believing herself to be beautiful beyond compare, as well as a refined "art buff", while the latter is illustrated by her harsh treatment of her subordinates, who consequently regard her with contempt. In the Nintendo Switch remake, Valentina's abusiveness is most prominently illustrated in Dodo's [[Monster List]] entries, which indicate that she took advantage of him imprinting on her and uses the fact that she raised him to keep him servile. | ||
While Valentina is still in the palace, her loud laughter can be heard as part of the background music. The particular laugh (an "oh-ho-ho-ho-ho") is commonly associated with royal or otherwise high-status women in Japanese media. | While Valentina is still in the palace, her loud laughter can be heard as part of the background music. The particular laugh (an "oh-ho-ho-ho-ho") is commonly associated with royal or otherwise high-status women in Japanese media. |